French Painter, 1865-1937 was born in 1865 at Champign?? (Maine-et-Loire). He started his education at the Ecole des Beaux-Arts d??Angers, and moved to Paris in 1886. Here, Lebasque started studying under L??on Bonnat, and assisted Humbert with the decorative murals at the Panth??on. Around this time, Lebasque met Camille Pissarro and Auguste Renoir, who later would have a large impact on his work. Lebasque's vision was coloured by his contact with younger painters, especially Edouard Vuillard and Pierre Bonnard, founders of the The Nabis' Group and the Intimists who first favoured the calm and quietude of domestic subject matter. From his first acquaintance with Georges Seurat and Paul Signac, Lebasque learnt the significance of a colour theory which stressed the use of complementary colours in shading. Lebasque was a founding member of the Salon d'Automne in 1903 with his friend Henri Matisse. Two years later a group of artists exhibited there including Georges Rouault, Andr?? Derain, Edouard Vuillard and Henri Matisse while keeping solid links with other artists such as Gustave Rouault, Raoul Dufy, Louis Valtat and especially Henri Manguin, who made him discover the south of France. His time in South of France would lead to a radical transformation in Lebasque??s paintings, changing his colour palette forever. Other travels included the Vend??e, Normandie and Brittany, although Lebasque would always prefer the small idyllic villages of the South of France. Lebasque had some commercial success during his lifetime. He worked on the decorations at the theatre of the Champs-Elys??es and of the Transatlantique sealiner. Lebasque died at Cannet, Alpes Maritimes in 1937. His work is represented in French museums, notably Angers, Geneva (Petit Palais), Lille (Mus??e des Beaux-Arts), Nantes and Paris (Mus??e d??Orsay) as well as many more around the world. Famed as a painter of 'joy and light', Lebasque is admired for the intimacy of his subject matter and his unique delight in colour and form.  Related Paintings of Henri Lebasque Prints :. | Nude | On the Beach | Olive Trees in Afternoon at Cannes | The Quay at St Pierre in Cannes | Nono in a Japanese Robe |
Related Artists:
Barocci, Federico
Italian, 1535-1612 .Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino
Claude Deruet
(1588-1660) was a famous French Baroque painter of the 17th century, from the city of Nancy. Deruet was an apprentice to Jacques Bellange, the official court painter to Charles III, Duke of Lorraine. He was in Rome between ca. 1612 and 1619, where - according to Andre Felibien - he studied with the painter and etcher Antonio Tempesta. During his stay in Rome, he painted the Japanese samurai Hasekura Tsunenaga on a visit to Europe in 1615. Deruet was made a noble by the Duke of Lorraine in 1621, and was then made a Knight of the Order of St Michel in 1645 by Louis XIII, who had in 1641 absorbed most of Lorraine into France. He had a luxurious residence in Nancy, named La Romaine, where Louis XIII and his Queen stayed in 1633. Claude Lorrain was an apprentice to Claude Deruet in 1623 for one year. He also married and had two sons, one of whom became a painter.
Bourdon, Sebastien
French, 1616-1671.French painter. Bourdon was active in Rome (1634 C37), in Sweden (1652 C54) as Queen Christina's court portrait painter, and in Paris; he also worked in his native Montpellier, where he painted The Fall of Simon Magus for the cathedral. The Finding of Moses is in the National Gallery of Art, Washington, D.C.